My photography spans documentary, event and architectural photography, but what links these diverse fields is my focus on geometry and detail. I almost always work in black and white, because for me that restriction actually creates space: without colour, the essence of light, form and line remains.

In my compositions, I seek symmetry, clean lines and an almost static clarity. Even when I photograph people at events, in a documentary context or in nightlife settings, I continue to play with that same visual language. In the dark, a different energy emerges: mystery, tension, an almost cinematic atmosphere.

Yet my approach remains intuitive and natural. I prefer to work with daylight or existing light, because it does not distort reality but rather enhances it. I also work with analogue photography; the analogue process slows me down, forcing me to look more consciously and to trust my intuition.

Much of my inspiration arises precisely in that moment: a feeling, a line that falls perfectly, an unexpected movement, an emotion that is just becoming visible. My key words are geometric, tranquil and mysterious, three directions that shape my work time and again.

Ultimately, what I want is to create images that are both clear and enigmatic: photographs that make you pause for a moment, that make you look at what you thought you knew, but from a different perspective.